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Self Portrait 2008
VITAE
Janis Sawyer grew up
among fabric swatches and Interior Design magazines, spent high school
vacations with her father in New York City, creating color renderings for
university libraries. She has a set of fancy French colored pencils
still—somewhere. As an adult, Janis took off on a series of sojourns
in small and preferably secluded places. The first of her many favorite
years were spent on the side of a mountain in Germany with good friends,
but not much money, no amenities, and two infant boys. She gave up what
she considered a paradise and settled in her next favorite place, Coconut
Grove, the Miami artists' Utopia of the '60s, but that magic would not
last. Mourning the gentrification of her beloved Grove, Janis migrated to
her next best place—early Seaside, where she delighted in the slap
of the waves on the shore at night. Janis always craved an artistic outlet
and worked variously in graphic design, as an editor of photos, poetry and
short stories, and editor of the single edition Hogtown Hooter. The work
was hers, but it was not her own creation until her husband supplied a
digital camera, the notorious SpyCam of Forest Street. Janis was surprised
by the views around the corner, down the street, at the foot of her bed,
beyond the window behind her. Smitten with this newfound perspective,
fascinated with the alternating motion and stillness of the camera and the
nature of its output, she began capturing its revelations—every edge,
shape and shimmer of her environment. Her husband, Fred, finds new venues
for the camera, and Janis, peeking around corners, continues to make
digital photographs.
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"Between Here and There"
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